Browsing All Posts published on »February, 2012«

Chicago (SecondStory Repertory)

February 29, 2012

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SecondStory Repertory brazenly reaches for the neon stars with its powerhouse performance of Chicago, bringing the sardonic and torrid tale of egos, gin joints, gams, corruption and big town dreams to Redmond. Complete with live cabaret band and elaborate choreographed song and dance routines, Director Chris Nardine pulls off his own sleight of hand by efficaciously tackling the hugely ambitious Chicago and successfully transforming it to the intimate setting of SecondStory’s main stage. SSR's production of Chicago hooks you and keeps hitting on all sixes until the very end.

Set in the mid-1920s, Chicago tells the story of an amoral chorus dancer Roxie Hart, deliciously brought to life by the talented Erika Zabelle. Watching Zabelle perform conjured up images of a young Bernadette Peters, as she brings forth surprising intensity and strength. In her undeterred self-centered ambition to ascend to stardom, Roxie proves that there is no depth of human depravity that she will not descend to. Nor is there any sordid character that she would not willingly partner with to achieve her dreams and keep her name in the headlines. From the cold murder of her adulterous partner to her serpentine lies and manipulation of others, no one is exempt from her exploitation. She even convinces her rube of a husband, Amos to initially take responsibility for the murder until the truth comes out and she is arrested.

I Am My Own Wife (Seattle Repertory)

February 14, 2012

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February 8, 2012 marked the opening night for Seattle Repertory’s provocative yet compelling production of I Am My Own Wife written by Doug Wright and directed by Jerry Manning. I Am My Own Wife presents the fascinating real life story of Charlotte von Mahlsdorf, an East German transvestite who lived openly through two of the most oppressive regimes the world has known, Nazi Germany and East Germany Communism.

It is an intriguing yet complex multilayered tale, at times self-indulgently shocking; yet also surprisingly emotive; even tender at moments. Irrespective of one’s feelings regarding homosexuality and transvestism, audiences cannot help but be moved by the all too real and fundamentally human plight of Charlotte von Mahlsdorf as she unflinchingly confronts decades of ignorance and misunderstanding with unapologetic pride. One may be startled to discover at some point in the play just how taken they have become with this enigmatic figure which Nick Garrison’s portrayal brilliantly brings to life.