The Screwtape Letters (The Paramount Theatre)

When the word reached me that Max McLean would be in town for one day, doing two performances of “The Screwtape Letters” at the Paramount Theatre in downtown Seattle, I knew that I had to be in attendance. “The Screwtape Letters” was adapted by Jeffrey Fiske and Max McLean from the book of the same name written by C.S. Lewis. It stars Max McLean, who also co-directs with Fisk. McLean has been performing the play since the opening run in New York, Chicago and D.C.; having successfully completed well over 700 performances of TSL.

As a longtime admirer of C.S. Lewis and his writings, I was skeptical that one could effectively convey the nuances of the book on stage, as it’s not your typical fare. It was hard enough for some to read the relatively short book completely through. The book records the mail correspondence between Screwtape, a demon of the highest order, and his fledgling tempter nephew, Wormwood. In their exchanges, Wormwood, a recent graduate of the “Tempters' Training College” describes his first assignment with a human affectionately referred to as the “Patient”. It is Wormwood’s mission to ensure that the Patient is tempted off of the narrow path. In return, good ol’ Uncle Screwtape, reminiscent of an unholy ‘Dear Abby’ or ‘Dr. Phil’ manner, dispenses his malevolent wisdom and insights concerning Christianity, faith and the human condition, in hopes of guiding Wormwood into nefarious maturity and bringing about the eternal damnation of the Patient.

My momentary uneasiness was allayed by the choice of music played while waiting for the curtains to open. My attention was initially seized by Bob Dylan’s “Gotta Serve Somebody” and The Rolling Stones’ “Sympathy for the Devil” and I am delighted to say that the performance to follow was wickedly riveting, entertaining and thought-provoking. Max McLean, dressed up like Alistair Cooke’s evil cousin doing a Masterpiece Theatre vignette, held me spellbound throughout. The show, unlike Wormwood, does not disappoint in the end.