Browsing All Posts published on »July, 2012«

Thoroughly Modern Millie (Studio East)

July 31, 2012

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After attending Thoroughly Modern Millie performed by Studio East at the Kirkland Performing Arts Center, I am reminded that one of the things that I love most about theater is when a performance can not only entertain you but also inspire you and make you reflect upon it and life. The danger of being a critic or reviewing works of art, is that over time we can become cynical or hyper-critical. We lose the spirit and heart of the show and begin to see only the technical implementation. This would be akin to evaluating poetry solely on rhyme and form over the author's ability to inspire us to see and feel their emotion. I read some reviews and I wonder if the reviewer was driven to find something to criticize, just so that they could feel like they were objective and doing their job. The problem is that all art is subjective, it is filtered through the observer. Therefore, our impressions speak more about us at times, than the actual subject of our review.

Studio East Training for the Performing Arts was founded in 1992 with the vision of creating a place where children and teens can learn about the theatrical arts. Their mission is simply, "Studio East creates opportunities for young people to discover and explore the performing arts." They believe that through that pursuit, children will learn the discipline, dedication and teamwork to be successful not only on the stage, but off the stage. They are correct. The beauty is that in learning this for themselves, they expose audiences to this idea as well. We catch glimpses of it and although we may not always be able to consciously recognize or articulate it, we are moved and for a time we are changed by it. This was my first time attending a performance by Studio East, so I took my seat without much expectation. I must say that I was delightfully surprised.

Hidden in Dreams by Davis Bunn (Book Review)

July 30, 2012

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Shared prophetic dreams, mysterious assailants, corporate intrigue, conspiracies and the threat of global financial collapse conspire to push Dr. Elena Burroughs, the world’s foremost expert on dream analysis, to the forefront as the drama unfolds while the world watches. Burroughs’ situation is further complicated by being forced by circumstance to work closely with her most ardent critic, Jacob Rawlings whom previously had publically chastened her for her faith in a vicious debate which resulted in loss of professional prestige.

In Hidden in Dreams, Davis Bunn explores not only the nature and mystery of dreams and their impact upon the dreamer but also touches upon the role of faith and belief in our modern science culture which is becoming increasingly hostile to the notion of anything which is not purely secular. It also deals with the complex and deeply human reaction to betrayal, how we learn to cultivate trust in others, especially those whom have betrayed us historically or with whom we have philosophically little in common with and how many people opt for the safety of believing only that which they know they can quantifiably prove scientifically.

Forever Plaid (SecondStory Repertory)

July 16, 2012

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SecondStory Repertory closes out its thirteenth season with “Forever Plaid”, written by Stuart Ross and directed by Crystal Dawn Munkers. “Forever Plaid” is a distinctive and magical production, a mingling of music and drama with a healthy dose of a wistful flashback concert performance. It is a step back in time, an enjoyable revisiting for an evening the nostalgic and simple pleasure of the vocal harmony of the four part boy groups of the 50’s like the Four Aces, Four Coins, Four Freshmen, Four Lads, Four Preps, Hi-Lo's and Kirby Stone Four.

Forever Plaid” tells the story of just such a boy vocal band perched on the precipice of realizing the dream that they have been working towards ever since their fortuitous meeting in the high school audio visual club. Sparky, Smudge, Jinx and Frankie, individually flawed but together as The Plaids, bound by their mutual passion for music and entertaining, their potential was unlimited. The countless hours of rehearsing their music, choreographed moves and the continued strengthening of their enchanted four part harmony had finally paid off and they landed their first big gig at the Airport Hilton cocktail lounge, The Fusel Lounge.

The Producers (Village Theatre)

July 10, 2012

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The Fourth of July may be over but the fireworks are just beginning at The Village Theatre of Everett, as on July 6th it kicked off its run of the farcical musical “The Producers” adapted from the book and film written by Mel Brooks and Tony Sheehan. The powerhouse show started out in Issaquah back in May to rave reviews and does not show any signs of stopping or letting down as it continues its entertainment dominance northward, initiating its blitzkrieg assault on your funny bone in Everett. From this reviewer’s perspective the musical farce extraordinaire has not lost a step as it continues its over-the-top, unabashedly shameless and nothing-is-sacred dominance which kept the audience rolling with laughter all night long.

A show about two dubious Broadway producers played by Richard Gray and Brian Earp, putting on an apparently doomed musical extolling the virtues of Hitler and the Nazi Party, paid for by overly amorous grandmothers looking for love in all the wrong places, seems an unlikely evening’s entertainment but thank heavens for unexpected pleasures. Regardless of your mindset prior to the show, “The Producers” is still able to produce a theatrical victory in the heart of audiences faster than the surrender of France in World War II.