Browsing All posts tagged under »Theater«

Death on the Supermarket Shelf (Centerstage Theatre)

March 18, 2016

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Centerstage's "Death on the Supermarket Shelf".

Centerstage Theatre in Federal Way kicks of March with the intriguing premiere of "Death on the Supermarket Shelf" (DotSMS), a play written by Centerstage Theatre’s managing artistic director Alan Bryce, detailing the events of the 1982 Tylenol scandal. Directed by University of Washington graduate Tina Polzin, Centerstage Theatre pulls together a stellar cast to guide audiences through the myriad of events leading up to the poisoning and the ramifications which continue through today. The result is a compelling, evocative real-life who-done-it drama which also functions as a fitting tribute to the lives that were affected by the events

If you were alive in the early 1980’s, you are no doubt familiar with the Tylenol tampering deaths. What we learn in this poignant and visceral production is that most of us have little awareness of the many disturbing details which occurred behind the scenes. It is a case worthy of Mulder and Scully of X-Files fame, complete with a cast of eccentric characters, some complicit in their knowledge, others mere victims or scapegoats manipulated by a corporation and its allies in the media, FBI and law enforcement. What transpires in their short sighted pursuit of protecting a company, frequently at the expense of the public and the victims, is shocking.

Death on the Supermarket Shelf (DotSMS) may not entertain us in the traditional sense by transporting us to some land of make believe, for it is firmly rooted in the reality of this world. A world we are becoming all too familiar with these days, where corporations spend more time, energy and money on protecting themselves from litigation for wrong doing or negligence than they do in prevention and the safety of their customers. While the topic is sobering, this production is a beacon of light, reminding us why we love the theater. DotSMS reveals to us characters which we can relate to and immerses us in their very real and heart-rending tale. It provokes us to think and to question. Most importantly, DotSMS lingers in our minds long after the lights come on, we stand up and exit the theater.

Shrek the Musical (Studio East)

July 28, 2014

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Studio East's 17th Annual Summer Teen Musical, "Shrek the Musical".

Studio East kicks off summer with their 17th Annual Summer Teen Musical and all lights are green; ogre green and if opening night is any indication, Studio East’s “Shrek the Musical" is guaranteed entertainment for all ages. The talented cast had the audience eating from their hands and they were not serving up onions, but parfaits all the way, drawing repeated laughter throughout the performance. While Shrek may believe he is a "crackpot magnet", Studio East proves they are a talent magnet with its latest production “Shrek the Musical", playing through August 3 at the Kirkland Performing Arts Center.

For those not familiar with the play, “Shrek the Musical tells the story of an anti-social ogre named Shrek. Shrek’s normal routine is disrupted one day as his swamp home suddenly turns into a fairytale refugee camp, courtesy of a mandate from wicked Lord Farquaad. The mandate requires that all fairytale creatures be rounded up and confined to the swamp. To reclaim his home, Shrek, played by the gifted Christian Obert, must travel to Duloc and confront Lord Farquaad. Farquaad, played by the deliciously evil and brilliant Alex Ascanio agrees to hand over the deed to the land, if Shrek completes a task for him first. Ascanio, even walking on his knees, stands tall, nailing the role of villain to perfection, much to the conflicted joy of the audience.

Along the way, Shrek meets his initially unwanted companion, Donkey, played by the irrepressible Keenan Barr. In Duloc, Farquaad convinces Shrek to rescue a princess for him in exchange for the deed to his home. In the end, Shrek gets more than he bargained for and his life is never the same the again.

The Suit (Seattle Repertory)

March 25, 2014

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(l to r) Nonhlanhla Kheswa and Ivanno Jeremiah in Peter Brook’s The Suit. Photo: Pascal Victor, ArtcomArt.

The Seattle Rep stuns audiences with their production of the highly anticipated, evocative drama "The Suit" running March 19 through April 6. "The Suit" subtly draws you in with its unassuming austere set design, intimate live musical score and powerhouse cast, but violently interjects an emotional gut punch which leaves you reeling long after you have left the theater. The remarkable performance forcefully confronts audiences and demands their involvement by removing the luxury of remaining unbiased observers. That is not an option with this production.

Based on the short story of the same name written by South African author Can Themba, "The Suit" takes audiences on a wild emotional rollercoaster ride. Challenging our beliefs and inspiring us to reason, “The Suit” compels us to grapple honestly with the messiness of life and people before it expels us back to the world. Leaving us dazed, we are left with a profound sense of respect for those who have mastered the ability to truly forgive others and a deep abiding sadness for those impotent to express their emotions constructively and unable to offer compassion to others. “The Suit” succeeds under the inspired direction of Peter Brook, who hooks audiences with the trifecta of talented musicians, brilliant actors and affable characters only to shake our foundation with an inexplicable adultery.

On the Air (Teatro ZinZanni’s)

February 19, 2014

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Full Cast of 'On the Air' at Teatro ZinZanni's. Photo credit: Keith Brofsky

Teatro ZinZanni’s is calling you back to the spiegeltent as it kicks off its new show “On the Air”. Directed by Norm Langill, “On the Air” transports the audience back to the Golden Age of Radio, skillfully bringing together an entertaining series of vignettes, including acrobatics, juggling, espionage, music, zany comedy and the hallmark of any Teatro ZinZanni show, masterful improvisation.

The show starts off a bit like an awkward blind first date; unfamiliar characters, lots of noise, chaos and running around, leaving me a bit disoriented and unsure what was going on. I encourage you to hang with it, as like a relationship the show grows stronger and stronger over time. The whacky characters become familiar and lovable, the dashing Host/Juggler (Joel Salom) endearing, the mysterious and limber alien (Vita Radionova) awe-inspiring and the singers (Anki Albertsson and Juliana Rambaldi) transcendent.

Then there is Kevin Kent, the “improvisational humorist” of the show. What can you say about Kevin Kent? His Dr. Danny Delight character, affectionally called “Double D” and later you find out why, is an intriguing concoction comprised of one part Southern Preacher, one part Robin Williams and one part Liberace. Those components add up to one hysterical, over-the-top, surprisingly funny and quick witted shot of energy. Kent awakens the audience and draws them in every time he steps into the spotlight. He adeptly engages the audience with whichever character he is portraying and manages to draw forth laughter with his clever retorts, awkward scenarios and he never fails to capture the full attention of the audience. His final bit as the queen in drag was inspired, sinfully delicious, wrong and left the participating audience member wondering how he let that moment get away from him.

The Atomic Bombshells are “Lost in Space” (The Triple Door)

November 21, 2013

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"Lost in Space" Poster @ The Triple Door.

A spectacular alien assault on the senses dazzles at the Triple Door as The Atomic Bombshell’sLost in Space” invasion leaves audiences weak from laughter. Through a series of loosely connected vignettes, “Lost in Space” launches audiences on an interplanetary adventure with stalwart hosts, Captain Jasper McCann and his enthusiastic First Mate Lou Henry Hoover. Along their journey, we encounter a wild assortment of exotic and sensual aliens decked out in a stunning array of intricately detailed costumes (courtesy of Jamie von Stratton) which held audiences spellbound throughout.

Lost in Space”, which ran from November 13 through November 16th, is a well-produced and choreographed, over-the-top campy burlesque show designed to titillate and amuse audiences. The show succeeds on every level, driven behind the creative force which is Kitten La Rue, who skillfully weaves a compelling and memorable series of choreographed scenes. Several of these scene paid tribute to sci-fi classics like Fritz Lang’s “Metropolis”, Roger Vadim’s “Barbarella”, Arthur C. Clarke’s “2001” and “Attack of the 50 Foot Woman”. There is even a humorous nod to local Seattle coffee culture, in an unforgettable scene depicting three aliens first experience at an espresso shop. Captain Jasper McCann and First Mate Lou Henry Hoover shine as the creative glue that connects these scenes together. They keep the show from the threat of ever losing steam from the dramatic synchronized opening performance done to Richard Strauss’ ‘Thus Spoke Zarathustra’ booming in the background."

The Hobbit – A Musical (Studio East)

October 30, 2013

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Smaug and Bilbo (Robert Kinsfather) square off. “The Hobbit – A Musical”  at Studio East.
Studio East brilliantly brings the enchanted lands of Middle Earth to the stage with their 2013-2014 season kickoff production of “The Hobbit - A Musical”. Based on the 1972 adaption by Ruth Perry (music by Allan Jay Friedman and lyrics by David Roger) of the beloved classic by J.R.R. Tolkien, it recounts the story of the most unlikely of heroes, an unassuming Hobbit by the name of Bilbo Baggins. Directed by Lani Brockman and choreographed by Jenny Mitchell with musical direction by David Duvall, “The Hobbit - A Musical” runs from October 18 - November 3 over at Studio East Mainstage Theater in Kirkland. The show is double casted (I watched Cast B), so you may want to see the show more than once to experience both casts.

The Hobbit – A Musical” begins innocently enough with Bilbo pleasantly listening to his high-spirited nephew Frodo outside of his hobbit hole. Bilbo Baggins, played with surprising empathy and warmth by the gifted Robert Kinsfather, lovingly indulges his young nephew played by the absolutely adorable Grace Hiley, as he reads from a book containing tales of magic rings, monsters and adventures which lay beyond their quiet home in the Shire. I was impressed by Kinsfather’s ability to so convincingly portray the gentle but honorable and fiercely loyal spirit which is Bilbo Baggins. His performance continues to get stronger, as the production goes on.

Sweeney Todd: The Demon Barber of Fleet Street (Studio East)

March 24, 2013

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Cast of Sweeney Todd @ Studio East
Last Saturday evening, my daughter and I took in a show over at Studio East of Kirkland. It was the opening weekend of their two weekend production of Sondheim’s dark musical “Sweeney Todd – The Demon Barber of Fleet Street”. Clearly, this is not your average musical. Who else but Sondheim could envision a marriage between song and culinary cannibalism? Lovers of “The Sound of Music” be forewarned, “Sweeney Todd” it is not recommended for children under 13 years of age due to some mature content. There will be no ‘Edelweiss’ in this production unless it is being used to spicy up Mrs. Lovett’s special ingredient meat pies.

Awaiting the beginning of the performance, I found myself anxious and full of trepidation. Not only does “Sweeney Todd” deal with a multitude of disturbing and adult concepts, but it portrays the world of London as an inhabitation of characters driven by their most base human desires. It is a dark world, where injustice and moral corruption reigns. I wondered if a cast of young adults and children, some as young as ten years of age, could truly bring that world to life? Could they convey and manifest upon the stage, the desperate conflict of good and evil within each one of us and yet still inspire and entertain the audience?

The answer for the most part is a resounding yes. Studio East does a solid job of bringing that dark world of "Sweeney Todd", played by the capable Christian Obert, to life but also in offering us some hope. Obert shows that he is equally at home playing a morose, tormented lead character like Sweeney Todd as he is playing humorous supporting characters like Rapunzel’s Prince (Into the Woods) or Mr. Trevor Graydon (Thoroughly Modern Millie). Todd, to his inevitable detriment, is so driven by hatred for those which have wronged him that he can see nothing else. Love and happiness are unrecognizable strangers to Todd, having been replaced with a single-minded focus for revenge on those who have hurt him. Obert does an admirable job in conveying this obsession; being blinded to all else around him.