Browsing All posts tagged under »Babette La Fave«

Land of the Sweets – The Burlesque Nutcracker (the Triple Door)

December 19, 2012

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"Land of the Sweets" at The Triple Door.
It is official. The holiday season in Seattle has begun and that can mean only one thing, the return of Lily Verlaine and Jasper McCann’s annual installment of "Land of the Sweets – the Burlesque Nutcracker" at the renowned venue, The Triple Door. “Land of the Sweets” puts a unique twist on the traditional Nutcracker Suite, incorporating various styles of professionally choreographed dance routines, aerial acrobatics, vaudevillian comedy and of course, burlesque. Verlaine and McCann are joined by local stars Waxie Moon, Kitten LaRue, Miss Indigo Blue, Babette La Fave, Inga Ingénue and others on the 2013 show which runs for 21 performances from December 11 – 27.

Verlaine and McCann continue to refine the show which took Seattle by storm 6 years ago, keeping it fresh and new with innovative routines and costumes in this year’s performance not included in prior year shows. McCann continues his masterful role as ringmaster to this exotic collection of performers and successfully kicks off the show by working the audience and getting them into the festive mood of the show.

Land of the Sweets” is an intelligent, well-paced, assortment of entertaining impish vignettes catering to audience enjoyment. Chock full of talented performers, kudos to Verlaine and McCann on casting as the performers executed together like a well-oiled machine, seemingly amused and enjoying the experience of working together. Especially memorable was the overall cast playfulness, facial expressiveness and tongue-in-cheek humor exhibited in many of the scenes, but embodied in the performance of the naïvely playful Snowflakes, played by Inga Ingénue, Polly Wood and Holly Pop.

Through the Looking Glass: The Burlesque Alice in Wonderland (The Triple Door)

September 14, 2012

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It was a wonderfully eclectic and bubbly packed house at The Triple Door, which greeted the yearly return of a show which has quickly become an unconventional Seattle favorite, Lily and Jasper’s “Through the Looking Glass: The Burlesque Alice in Wonderland”. As if Lewis Carroll’s heavily symbolic tale could become any more peculiar, Lily Verlaine and Jasper McCann take serious creative license and drive the original vision headlong into uncharted waters, by producing a thoroughly entertaining, artistic and polished burlesque retelling of the classic coming of age account of Alice which continues to engage and delight audiences.

The story opens with a grown Alice, played by the captivating Inga Ingénue, alone in her room musing about the tedium of life until she catches a reflection of herself in the looking-glass. She is drawn to her reflection in the mirror which seems alien to her. Instead of her golden hair, the reflection is adorned with tresses of black. Even Alice’s black and white dress is mirrored in reverse. As fanciful tales so often do, the impossible becomes possible and her curiosity leads her to pass through the looking-glass to a vibrant wondrous world which is anything but tired and familiar. There she meets the black-haired reflection of herself, played by the charming Lou Henry Hoover, who acts as her guide through wonderland. Ingénue, a master of her craft, and Hoover were wicked perfection together, playing off of each other as the two versions of Alice. Their emotive "Feathery Fantasy" routine was soulful and memorable.