Studio East kicks off summer with their 17th Annual Summer Teen Musical and all lights are green; ogre green and if opening night is any indication, Studio East’s “Shrek the Musical" is guaranteed entertainment for all ages. The talented cast had the audience eating from their hands and they were not serving up onions, but parfaits all the way, drawing repeated laughter throughout the performance. While Shrek may believe he is a "crackpot magnet", Studio East proves they are a talent magnet with its latest production “Shrek the Musical", playing through August 3 at the Kirkland Performing Arts Center.
For those not familiar with the play, “Shrek the Musical tells the story of an anti-social ogre named Shrek. Shrek’s normal routine is disrupted one day as his swamp home suddenly turns into a fairytale refugee camp, courtesy of a mandate from wicked Lord Farquaad. The mandate requires that all fairytale creatures be rounded up and confined to the swamp. To reclaim his home, Shrek, played by the gifted Christian Obert, must travel to Duloc and confront Lord Farquaad. Farquaad, played by the deliciously evil and brilliant Alex Ascanio agrees to hand over the deed to the land, if Shrek completes a task for him first. Ascanio, even walking on his knees, stands tall, nailing the role of villain to perfection, much to the conflicted joy of the audience.
Along the way, Shrek meets his initially unwanted companion, Donkey, played by the irrepressible Keenan Barr. In Duloc, Farquaad convinces Shrek to rescue a princess for him in exchange for the deed to his home. In the end, Shrek gets more than he bargained for and his life is never the same the again.
March 1, 2013
Studio East fearlessly kicked off February with its triumphal production of Steven Sondheim’s challenging musical “Into the Woods”. Two casts take on the complex task of performing the limited run. “Into the Woods” tells the story of a childless Baker and his wife on a quest to remove a curse preventing them from having children. In their effort to lift the curse, they come across an assortment of fairy tale characters ranging from Cinderella, Little Red Riding Hood, Jack (and the beanstalk), a pair of Princes and others. Act 1 deals with each of the characters seeking their ‘happily ever after”, while Act II reveals the rarely seen consequences which follow their “happily ever after”.
The play begins with spotlights on three scenes: Cinderella wishing that she could go to the Festival with her step-sisters; Jack and his mother lamenting the condition of their cow Milky-White, wishing that their cow would give them milk and a Baker and his wife melancholy over their inability to have a child. What is most interesting is not so much what each wishes for, but what each is willing to do in pursuit of achieving their wishes and the final state of each after their wishes has come true.
“Into the Woods” is a challenging production to execute successfully from the rapid scene changes and detailed sets, the assortment of characters, costumes and Sondheim’s sophisticated musical score and marvelously rich lyrics which are often required to be recited with varied meter, pitch and beat. Not an easy task for an adult professional production, but Studio East attempts and succeeds with young adults and children.
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July 28, 2014
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